Old Money Registry

50 Pfennig, Stadt Glauchau, 1921 (Dütterwitsch silhouette, "Baten ihn mit Spott und Hohn")

Notgeld der Stadt Glauchau

Obverse 600 dpi
Reverse 600 dpi

This copy

Accession
OM-00733
Series year
1921
Actually issued
1921
Signatures
This issue carries no bank manager or cashier signature.
Grade
VF (IBNS)

Estimated from the archival scan. Folds, soiling and edge condition are visible at this resolution; paper crispness, pinholes, small repairs and pressing are not. Grade applied uniformly across this batch pending individual review.

Estimated value
$3 indicative

Category benchmark scaled for grade — an order of magnitude, not an appraisal. Priced 2026-10-24.

Dimensions
96.5 × 73.4 mm (±0.5, from the scan)
Themes
NotgeldSerienscheinWeimar RepublicSaxonySilhouetteLegend

The type

Type
50 Pfennig, Stadt Glauchau, 1921 (Dütterwitsch silhouette, "Baten ihn mit Spott und Hohn")
Printer
Ratsdruckerei R. Dulce, Glauchau
Rarity
common
GlauchauGermany, 1920 borders

Symbology

City gate with two towers, windmill turret and the Glauchau arms (shared obverse)
The common obverse of the whole 50-Pfennig set: a green and dark-red gate flanked by two brick towers, a central turret crowned by a windmill, a crescent moon-face and two owls, the Glauchau arms (a shield of red-and-white diagonal bars), the value "50" in red cog-wheels, and the serial number.
Silhouette of the confrontation over the milk (reverse)
A black cut-paper silhouette of the peasants rebuffing the visitor. The reverse is captioned with the rhymed couplet "Baten ihn mit Spott und Hohn / keinen Tropfen Milch gön'" ("met him with mockery and scorn, grudged him not a drop of milk"). The second line is read from upside-down Fraktur and the closing "gön'" (for gönnen, to grant) is abbreviated on the note.

What was happening

By 1920 German Notgeld had stopped being a response to a coin shortage and become a collector's product. Towns, districts and firms commissioned decorative Serienscheine - lithographed sets printed far beyond any local need and sold to collectors, illustrated with whatever the place was proud of: a legend, a famous son, a trade, a joke in dialect. The result is the most inventive body of graphic design in the history of paper money, made in the years when Germany's currency was dying.

Glauchau, a textile town in Saxony, was home to the Ratsdruckerei R. Dulce, which printed decorative Notgeld for towns across Germany. For its own 50-Pfennig notes Dulce issued a set of black cut-paper silhouettes (Scherenschnitte) that tell, scene by scene and in rhymed couplets, the comic local legend of the "Dütterwitsch" - the Saxon-dialect word for buttermilk (soured milk) and, by extension, the nickname of one of the town's towers. The Glauchau tale is a local version of the widely-told German Buttermilchturm ("buttermilk tower") legend recorded by the Brothers Grimm: a lord or burgomaster demands buttermilk from the peasants, who mock his messenger and refuse; he gets the better of them, a barrel of soured milk has to be drunk to the dregs, and ever after the tower is nicknamed the Dütterwitschturm. In the Glauchau retelling the burgomaster even stuffs brooms into the tower. The legend is attested here chiefly by the notes themselves and their captions.

Every note in the set shares one obverse: a green and dark-red city gate between two brick towers, a central turret topped by a windmill, a crescent moon-face, two owls, the Glauchau arms (a shield of red-and-white diagonal bars), the value "50" set in red cog-wheels, and the serial number. Each reverse carries one unique black silhouette scene captioned with a rhymed couplet. This is the 50-Pfennig companion to the town's 75-Pfennig "beer-war" (Bierkrieg) silhouette set - see [[notgeld-glauchau-75-pfennig-bierkrieg-2]].

Here the quarrel breaks out: the couplet has the peasants meet the request with mockery and scorn and refuse to spare a single drop of milk, and the silhouette shows the confrontation.

This account belongs to the type, not this copy — it is shared by every 50 Pfennig, Stadt Glauchau, 1921 (Dütterwitsch silhouette, "Baten ihn mit Spott und Hohn") in the collection.

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