Old Money Registry

50 Pfennig, Stadt Weimar, 1921 (Goethe — "Edel sei der Mensch")

Notgeld der Stadt Weimar

Obverse 600 dpi
Reverse 600 dpi

This copy

Accession
OM-00792
Series year
1921
Actually issued
1921
Signatures
This issue carries no bank manager or cashier signature.
Grade
VF (IBNS)

Estimated from the archival scan. Folds, soiling and edge condition are visible at this resolution; paper crispness, pinholes, small repairs and pressing are not. Grade applied uniformly across this batch pending individual review.

Estimated value
$3 indicative

Category benchmark scaled for grade — an order of magnitude, not an appraisal. Priced 2026-10-24.

Dimensions
100.6 × 71.5 mm (±0.5, from the scan)
Themes
NotgeldSerienscheinWeimar RepublicThuringiaGoetheSchillerPoetry

The type

Type
50 Pfennig, Stadt Weimar, 1921 (Goethe — "Edel sei der Mensch")
Printer
Dietsch & Brückner, Weimar
Rarity
common
WeimarGermany, 1920 borders

Symbology

Portrait of Goethe (octagonal bust, green)
The obverse bears an engraved bust of Johann Wolfgang von Goethe in an eight-sided frame, with the note's serial number - the matching octagon shared by the three Goethe faces of the set.
Reverse: one figure helping a fallen person, with Goethe's motto
A standing figure lifts a fallen one - charity in action - beneath the opening line of Goethe's hymn "Das Göttliche" (1783): "Edel sei der Mensch, hilfreich und gut!" (Let man be noble, helpful and good!)

What was happening

Notgeld began in 1914 out of necessity: coin vanished into hoards within weeks of mobilisation and towns printed their own small change because the Reichsbank could not supply enough.

By 1920 it had become something else. The shortage was easing but the collector market was not, and a town could take real marks for paper it hoped would never be presented. So the municipalities commissioned Serienscheine: lithographed sets, printed far beyond any local need, illustrated with whatever the place was proud of - a legend, a famous son, a battle, a joke in dialect. The result is the most inventive body of graphic design in the history of paper money, made in the years when Germany's currency was dying.

No German town had more to put on its money than Weimar. Goethe lived here from 1775 until his death in 1832 and Schiller from 1799 until his in 1805; between them they made the little Thuringian residence-town the capital of German letters, and the bronze pair by Ernst Rietschel still stand hand in hand before the theatre where, in 1919, the National Assembly had just written the constitution that gave the Republic its name. This 50-Pfennig set - lithographed by Dietsch & Brückner of Weimar and dated "Weimar, den 1. März 1921" - makes the whole series an anthology: each note carries an engraved portrait of one of the two poets on the face and, on the back in its own colour, an allegorical scene paired with a verse.

This note, printed in green, carries a bust of Goethe in an octagonal frame. The reverse shows one figure raising another who has fallen, illustrating the most-quoted line of Goethe's hymn Das Göttliche: "Edel sei der Mensch, hilfreich und gut." It is the humane creed of Weimar Classicism reduced to five words. Its companion Goethe notes are [[notgeld-weimar-50-pfennig-goethe-kette]] and [[notgeld-weimar-50-pfennig-goethe-krieg]]; the Schiller faces of the set are [[notgeld-weimar-50-pfennig-schiller-freunde]], [[notgeld-weimar-50-pfennig-schiller-schuldbuch]] and [[notgeld-weimar-50-pfennig-schiller-hoffnung]].

This account belongs to the type, not this copy — it is shared by every 50 Pfennig, Stadt Weimar, 1921 (Goethe — "Edel sei der Mensch") in the collection.

← → to move between notes