Old Money Registry

50 Pfennig, Stadt Weimar, 1921 (Goethe — "Manches Herrliche der Welt")

Notgeld der Stadt Weimar

Obverse 600 dpi
Reverse 600 dpi

This copy

Accession
OM-00794
Series year
1921
Actually issued
1921
Signatures
This issue carries no bank manager or cashier signature.
Grade
VF (IBNS)

Estimated from the archival scan. Folds, soiling and edge condition are visible at this resolution; paper crispness, pinholes, small repairs and pressing are not. Grade applied uniformly across this batch pending individual review.

Estimated value
$3 indicative

Category benchmark scaled for grade — an order of magnitude, not an appraisal. Priced 2026-10-24.

Dimensions
101.6 × 72 mm (±0.5, from the scan)
Themes
NotgeldSerienscheinWeimar RepublicThuringiaGoetheSchillerPoetry

The type

Type
50 Pfennig, Stadt Weimar, 1921 (Goethe — "Manches Herrliche der Welt")
Printer
Dietsch & Brückner, Weimar
Rarity
common
WeimarGermany, 1920 borders

Symbology

Portrait of Goethe (octagonal bust, blue)
The obverse bears an engraved bust of Johann Wolfgang von Goethe in an eight-sided frame, with the note's serial number - the octagon shared by the three Goethe faces of the set, here in blue. The portrait is Goethe even though the verse on the reverse is Schiller's.
Reverse: a sleeping warrior before a town skyline, with Schiller's verse
A warrior rests before the roofs of a town - arms at peace - beneath lines from Schiller's "Das Siegesfest" (1803): "Manches Herrliche der Welt ist in Krieg und Streit zerronnen, wer beschützet und erhält, hat das schönste Los gewonnen." (Many a glory of the world has melted away in war and strife; whoever protects and preserves has won the finest lot.)

What was happening

Notgeld began in 1914 out of necessity: coin vanished into hoards within weeks of mobilisation and towns printed their own small change because the Reichsbank could not supply enough.

By 1920 it had become something else. The shortage was easing but the collector market was not, and a town could take real marks for paper it hoped would never be presented. So the municipalities commissioned Serienscheine: lithographed sets, printed far beyond any local need, illustrated with whatever the place was proud of - a legend, a famous son, a battle, a joke in dialect. The result is the most inventive body of graphic design in the history of paper money, made in the years when Germany's currency was dying.

No German town had more to put on its money than Weimar. Goethe lived here from 1775 until his death in 1832 and Schiller from 1799 until his in 1805; between them they made the little Thuringian residence-town the capital of German letters, and the bronze pair by Ernst Rietschel still stand hand in hand before the theatre where, in 1919, the National Assembly had just written the constitution that gave the Republic its name. This 50-Pfennig set - lithographed by Dietsch & Brückner of Weimar and dated "Weimar, den 1. März 1921" - makes the whole series an anthology: each note carries an engraved portrait of one of the two poets on the face and, on the back in its own colour, an allegorical scene paired with a verse.

This note, printed in blue, carries a bust of Goethe in an octagonal frame - but the verse on the back belongs to Schiller, a pairing the set makes freely. The reverse shows a sleeping warrior before the skyline of a town, under the stanza from Schiller's Das Siegesfest that praises not the conqueror but the one who protects and preserves. On money printed just after a lost war, the choice of lines reads as deliberate. Its companion Goethe notes are [[notgeld-weimar-50-pfennig-goethe-kette]] and [[notgeld-weimar-50-pfennig-goethe-edel]]; the Schiller faces of the set are [[notgeld-weimar-50-pfennig-schiller-freunde]], [[notgeld-weimar-50-pfennig-schiller-schuldbuch]] and [[notgeld-weimar-50-pfennig-schiller-hoffnung]].

This account belongs to the type, not this copy — it is shared by every 50 Pfennig, Stadt Weimar, 1921 (Goethe — "Manches Herrliche der Welt") in the collection.

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