50 Roubles, Russian Empire, series 1899
Государственный кредитный билетъ — Пятьдесятъ рублей
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This copy
- Accession
- OM-00001
- Serial
- АС 704745
- Series year
- 1899
- Actually issued
- 1914–1917
- manager
- I. P. Shipov (И. Шиповъ) certain
- cashier
- E. Zhikharev (Е. Жихаревъ) probable
Read at 600 dpi: the surname is clearly Жихаревъ. Zhikharev is a documented cashier of the period.
- Grade
- VF (IBNS)
Clean, uniformly toned, folds and light staining lower right. Estimated from the archival scan. Folds, soiling and edge condition are visible at this resolution; paper crispness, pinholes, small repairs and pressing are not.
- Estimated value
- $32 researched
From the researched value guide for this type, at this grade. Priced 2026-09-07.
- Dimensions
- 191 × 118.7 mm (±0.6, from the scan)
- Rescanned
-
2026-09-06 — replaced scans at 600 dpi, 600 dpi. The superseded originals are kept in the archive.
- Themes
- Monarch portraitGold standardWWI financeImperial collapse
The type
- Type
- 50 Roubles, Russian Empire, series 1899
- Portrait
- Nicholas I (r. 1825–1855)
- Printer
- Expedition for the Preparation of State Papers (EZGB), St Petersburg / Petrograd
- Rarity
- common
- Value guide
- USD, as of 2026-09
VG–F $10–20 VF $25–40 XF $60–90 UNC $150–300 PMG world price guide and current dealer listings.
Inscriptions
Государственный Банкъ размѣниваетъ кредитные билеты на золотую монету безъ ограниченія суммы (1 р. = 1/15 имперіала, содержитъ 17,424 доли чистаго золота)
The State Bank exchanges credit notes for gold coin without limit of sum (1 rouble = 1/15 imperial, containing 17.424 dolya of pure gold — about 0.774 g)
Symbology
- Portrait of Nicholas I
- Not the reigning tsar. The empire put its most autocratic nineteenth-century sovereign, dead forty-four years, on one of its largest common denominations.
- Double-headed eagle, crowned
- The Romanov arms in full: two crowned heads under a third imperial crown, holding orb and sceptre, with St George slaying the dragon on the breast shield. The two heads face east and west - a claim, inherited from Byzantium, to authority over both.
- Guilloche
- The dense interlaced line-work filling the field. Engine-turned on a geometric lathe, it was the era's principal anti-counterfeiting device: reproducible only with the same machine and impossible to draw freehand or photograph cleanly.
- Gold-standard wording in an ornamental cartouche
- The redemption promise is given its own decorative frame rather than being set as small print. On a note designed to advertise convertibility, the promise is the ornament.
What was happening
This note is a promise the Russian state had already broken by the time this particular copy was printed.
The gold clause across its face is the signature achievement of Sergei Witte's 1897 monetary reform, which put the rouble on the gold standard and made it freely convertible. That convertibility underwrote the enormous French and Belgian lending that financed Russian industrialisation through the 1890s and 1900s. The 1899 series was designed to advertise it: heavy intaglio engraving, multi-colour guilloche, and the promise printed out in full sentences rather than legal shorthand.
Convertibility was suspended on 27 July 1914, days into the war. The clause stayed on the plates. Every note of this series printed afterwards carried a redemption promise that no longer held, while the State Bank financed the war by printing. The money supply expanded several-fold; by 1917 the rouble had lost the greater part of its purchasing power, and the collapse ran on into the Civil War.
Ivan Pavlovich Shipov (1865–1919), whose signature appears on the later printings, was the last Governor of the State Bank of the Russian Empire, in office from 1914. He had earlier served as Minister of Finance and as Minister of Trade and Industry. After the October Revolution he refused to recognise the Council of People's Commissars or to release the Bank's funds to it, and organised the staff's resistance until he was dismissed. He joined the White movement in the south and died of typhus in 1919. His signature therefore marks the final imperial issues almost exactly.
One detail is easy to miss: the portrait is Nicholas I, not the reigning Nicholas II. The empire put its most autocratic nineteenth-century tsar — dead forty-four years when the series was designed — on one of its largest common denominations. And there is an afterlife. Through the Civil War these "Romanov" notes were often trusted more than the paper issued by either the Provisional Government or the Bolsheviks, and traded at a premium against both. People held the currency of a state that no longer existed because it was the last one that had ever promised gold.
This account belongs to the type, not this copy — it is shared by every 50 Roubles, Russian Empire, series 1899 in the collection.
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